ABOUT THE PRODUCT
Eero Saarinen developed the pedestal table in the 1940 s, along with the Tulip chair, as part of his research of "organic furniture" for a competition in organic design. The pedestal table he developed, represents the peak of Eero Saarinen s career, in which these lasting icons of modern classic furniture were brought to the forefront. Eero Saarinen’s ability to blend color, form and materials was remarkable. The tulip table from his pedestal collection is a reflection of this ability in this timeless classic.
Minimal assembly required
MATERIALS
This version of the table is far superior to the fibreglass version, with an aluminium base finished in white, the table has a more slender elegant stem shape. This also makes the table more rigid as well as being more aesthetically pleasing. The top is made from wood and has a smooth satin white finish which is far less prone to scratching during use.
Suitable for indoor use only.
Images show actual bluesuntree product
DIMENSIONS
.jpg)
Eero Saarinen grew up in a household where drawing and painting were taken very seriously and a devotion to quality and professionalism were instilled in him at an early age. He was taught that each object should be designed in its "next largest context - a chair in a room, a room in a house, a house in an environment etc. During his expansive career, Saarinen was responsible for buildings that have become landmarks of American architecture. Such as the Gateway Arch in St. Louis, the TWA Building at New York’s Kennedy Airport, and Dulles Airport have all become symbols of his legendary architectural abilities.
Eero Saarinen designed the Tulip Chair in the 1950’s, at the peak of his career. He developed the Tulip series as part of his designs for “organic furniture” with which he aimed to restore formal order to the interior setting. Ever since his time working with Charles Eames, he found a fascination creating “organic furniture,” that is furniture in a single form made from a single material. Saarinen’s vision was to free the interior space from the "sea of legs" that he thought created visual clutter. While his ideal was to construct his individual Tulip pieces from a solitary piece of moulded plastic, it was soon realized that it would be difficult to execute. Instead he focused on the graceful form and made the sacrifice of having an aluminium base that was necessary for proper support. The Tulip table and chair represents Saarinen s execution of his ideal “organic furniture”.